Our little Babylon.
That is how we referred to the Lviv Science Museum while working on it.
This 2,000+ square meter project began with hundreds of exhibits. We got to know each of them, not simply to assign a place, but to find its role within a larger story. We printed the entire plan at the scale of a single parking space, built models of every object, and spent weeks moving them around until a coherent concept emerged, a spatial narrative of human and universal evolution.
Four zones across two levels form this journey.
Air, water, human, science.
It is not a linear exhibition, but a spatial experience in which visitors move through elements, knowledge, and their own curiosity.
We used interactive and futuristic materials, including dichroic glass at the reception. It works as a portal. Even from the street, you feel as if you are stepping into another dimension, a world of science, play, and discovery. The space begins to speak before you even enter it.
When you create architecture, you always design certain scenarios.
But children do not follow them, and that is where the magic happens. They explore the world in their own way, and by watching them, you realize how many paths exist for those who have no internal limits.
The Science Museum reflects our deep desire for communication and understanding.
It is a place where learning feels like taking part in a great mystery. The joy of discovery quietly shifts something inside you, leaving you with a sense of gratitude
